Enter the Sound Emporium

Recording to tape at San Diego’s Audio Design Recording, Wilder and an array of accomplished players crafted an achingly authentic, entirely analog record embroidered with boldly imaginative arrangements. Often co-writing with his producers and players, Wilder shunned genre templates to freely indulge a rich, eclectic palette of influences. 

 

Album opener “Rollin” is a raucous yet ornate outpouring, Wilder’s gospel-y delivery draped in slide guitar, ecstatic brass, and soaring female backups, while the Theremin- and saw-laced “Bluebird” is a gorgeous waltz duet with Brit chanteuse Jess Roberts. “Fever” was recorded while Wilder was experiencing a manic episode, its grungy guitar dynamics offset by an almost spoken baritone verse. Flitting between brooding calm and saturated chaos, the song’s multiple personalities are all portrayed by Wilder in the accompanying Rory Morison-directed video.  

 

Ultimately, Wilder sees Sound Emporium as a visceral, broadly relatable grab bar in listeners’ rollercoaster lives; a sonic and lyrical experience that embraces letting go of toxic and trivial thoughts in favor of truly conscious, participatory existence. 

Lee Wilder’s debut album Sound Emporium is true to its title, channeling not only myriad music genres, but also influences from film, literature, and just life itself. Its ten songs of impassioned, gospel-flecked Americana are infused with danceable, sometimes bombastic grunge and pop sensibilities. 

“I call it a bipolar gospel journey,” mulled Wilder from the back porch of his home. “Just me struggling to be present, in the moment. I have since found that the real source of creativity is in consciousness.”